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Photographing the Sun With a DSLR

We have a full solar eclipse coming on May 20th, 2012, and if you want to be prepared to record the event here are some tips on photographing the sun directly for an eclipse shot.

Some people try to put those “eclipse viewing” shader glasses that are being sold in novelty stores and over the Internet over their camera lenses. This can work OK if you have a small point-and-shoot, but the results won’t be staggering because you can’t capture both the sun and the surroundings at the same time using this technique. If you have a decent digital SLR, you might get better results without using a solar filter on the camera (unless you mean a polarizing filter, which actually would help in this case).

The technique is to use a tripod and ideally a prime lens that has a wide range of F-stops, and then use an HDR blending technique to produce the final output. The shape and number of leaves in the diaphram of your lens will determine what type of flare you get from the Sun, and typically a non-zoom prime lens will have a more pleasing shape to the flare produced by the sun in a sun shot. You will want to select a lens that has an equivalent of a short-medium telephoto, between 50mm – 135mm on most consumer SLRs (1.6 magnification such as the Canon Rebel cameras), or between 85mm and 200mm on a full-frame camera such as a Canon 5D or a Nikon D700.
Frame your shot nicely including a tree, buildings, people, or anything to give it scale. Now you need to take at least two shots from the same position without disturbing the way the camera is pointed. Ideally you should be shooting using Raw format, which gives you the most flexibility to adjust exposure and brightness in the post-processing session, but if you aren’t already using Adobe Lightroom or Apple Aperture it may be easier to just shoot in JPEG format.
You will take at least two shots to compose your final output. One of these shots will be at a very closed F-stop (larger number) and a fast exposure to capture the sun. This is probably at the limits of your camera’s exposure speed, in the 1/1000 – 1/3000 range, and it might need to be even higher, such as 1/5000 or above, if you have a particularly long lens which fills more of the frame with the sun rather than the sky or surroundings. The other photo will be at a slightly more open F-stop (smaller), and a still quick but much slower exposure, perhaps 1/250 to 1/500. Remember not to look at the sun through the viewfinder if you are using a long lens which will amplify the amount of light collected from the sun and shine it right on your eye. Use your cameras live-view to set up the shot, or take several shots and look at the results to adjust the tripod. The amount of light falling on the sensor determines how excited each tiny sensor gets, and some camera sensors tend to stay a little “hot”, which can produce noise in your next shot, so it helps to give the sensors several seconds after using live-view or taking a shot to let the sensors cool off.
Many cameras include a feature known as depth of field bracketing, which allows you to tell the camera to take 3 or 5 shots at different F-stops and then automatically figure out the exposure. This automates the process above.
Finally, use photoshop or similar software to combine the two frames. You should be able to take the sun from the first fast shot and the landscape from the second shot. You can also use software designed for just this kind of blending, or do a web search for “HDR Technique”.
A second technique is to use a fill-flash to illuminate the close-up surroundings while allowing the exposure to be short enough that the sun doesn’t overexpose the shot. I haven’t detailed that process here, because it typically requires more equipment, and is more difficult to set up correctly even with full sunlight. With the changing light-levels of an eclipse, this is a very difficult process.
You can practice this before the eclipse to make sure you’ve got it down. Flickr is a great resource for finding and sharing images of events or practicing techniques, so if you want to be well-practiced before May 20th, try taking some HDR of your own and find an HDR group on Flickr to point people to your shots and ask politely for criticism. Have fun!

Performance artist Scott Kildall is planning on sending Tweets (maybe yours!) to a nearby exoplanet 20 light years away, thereby finally allowing whatever alien lifeforms might possibly live there to finally lead fulfilling lives.

You see, one of Twitter’s Core Values is to “Reach Every Person on the Planet.” of course, Kildall has teen this idea to the logical extension and decided that that just isn’t enough.

Curious? Scott will be presenting his project to the public at the Leonardo Art Science Evening Rendezvous (LASER) meeting this monday evening. Go ask him why.

When: march 12, 2012 at 6:45pm
Where: USF campus, San Francisco – Room: UC 222

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All-Time Favorite Tweet

This is my favorite Tweet of all time.

I just received the news that my mom’s cancer is completely in remission. She battled stage IV thyroid cancer, and kicked its ass. In case you can’t guess, my mother is an exceptional and amazing woman. Here she is in this photo with most of her 7 children (including me). My oldest sister and another adopted brother aren’t here. Any person who can raise 7 children is great. Anyone who can battle serious illness with 5 children still in the house, and doing almost all of the parenting alone is a force to be reckoned with. Congrats, Mom!

Playing Video Games for 24 Hours for Charity

My friends and I, along with thousands of others, are going to be doing a “marathon” for charity. It’s not really a marathon, as in an event where people actually do physical activity outdoors, but we will be playing video games for 24 hours straight to raise more than a half a million dollars for charity. So let’s just call it a marathon. It sounds better than “march of death”.

This has to be at least as hard as walking. Or running. Or whatever it is that people do at normal marathons.

It’s for a great cause, too. The Children’s Miracle Network hospital of Oakland is terribly cash strapped, and there are so many children in need that it really breaks my heart. My team hopes to raise thousands of dollars, and there are more than 100 teams. The amount of money raised in this fundraiser is truly staggering.

I’m asking everyone I know to consider donating to the cause. If everyone who reads my blog, follows me on Twitter, or calls me a Facebook friend gave me just $1 for every hour that I’ll be playing video games, I think it would be about 700 grand. That’s just a quick back-of-the-bar-napkin estimate. The real number is probably much higher.

But I can’t do it without your help! Donating is really easy, just go here and give them your digits: http://extra-life.org/participant/banjor

Managing Government IT Projects

Managing large government IT projects? Don’t do it alone. A good general trusts his lieutenants.

If you get significant funding, resist the urge to buy more technology, you should first spend some of it on a manager with experience in government software projects. Otherwise you will find yourself getting mired down in areas which are non-technical, and you won’t be able to focus on design, programming and advocacy.

If you don’t get sufficient funding, resist the urge to promise too much on a tight budget. Managing expectations is just as important as managing resources when it comes to the overall success of the project.

I’ve worked in the public and federal sectors for several years now, and I have had to do too much project planning and management on my own. The process is different in government work than it is in the private sector. Coming from the startup and tech innovation sector, I found that many of my assumptions were wrong. In government projects, things take (much) longer, money goes through painful bureaucratic delays before being freed up, and it is much harder to get someone to make executive decisions and see that they are enforced.

A good project manager with government project experience will know to break the project into smaller parts, remove dependencies, and make a project more parallelizable so that you don’t end up with a team of people waiting for a critical milestone. Also, they will be able to do resource management and expenditure tracking better from 50,000 feet than you can from the ground.

Content copyright Dan Sneddon and Dan Sneddon Consulting